Rotation

I chose a tall truncated cone for my composition of rotating bodies. Subsequently, with the help of the created template, bodies were spun from the plaster, which were allowed to dry. Then I turned the cones to lighten the base and cut them in two directions so that they connect to each other in space and at the same time to create a dynamic movement of the curves. During the surface treatments, I focused on the sharpness of the edges and the evenness of the surfaces. Thanks to this, sharp transitions were created and the play of light and shadows is noticeable when the lighting changes. For the final composition, I used 2 cones that are cut so that their inner cuts create negative space.